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Stars of Fortune (Guardians Trilogy), by Nora Roberts

Stars of Fortune (Guardians Trilogy), by Nora Roberts



Stars of Fortune (Guardians Trilogy), by Nora Roberts

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Stars of Fortune (Guardians Trilogy), by Nora Roberts

FIRST IN THE GUARDIANS TRILOGY
 
From #1 New York Times bestselling author Nora Roberts comes a trilogy about three couples who join together to create their own family and solve an ancient mystery through the powers of timeless love…
 
Sasha Riggs is a reclusive artist, haunted by dreams and nightmares that she turns into extraordinary paintings. Her visions lead her to the Greek island of Corfu, where five others have been lured to seek the legendary fire star, part of an ancient prophecy. Sasha recognizes them, because she has drawn them: a magician, an archaeologist, a wanderer, a fighter, a loner. All on a quest. All with secrets.
 
Sasha is the one who holds them together—the seer. And in the magician, Bran Killian, she sees a man of immense power and compassion. As Sasha struggles with her rare ability, Bran is there to support her, challenge her, and believe in her.
 
When a dark threat looms, the six must use their combined powers—including trust, unity, and love—to find the fire star and keep the world on course.


Don't miss the other books in the Guardians Trilogy
Bay of Sighs
Island of Glass

  • Sales Rank: #21859 in Books
  • Brand: Nora Roberts
  • Published on: 2015-11-03
  • Released on: 2015-11-03
  • Format: Deckle Edge
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .70" w x 5.60" l, 1.00 pounds
  • Binding: Paperback
  • 336 pages
Features
  • Stars of Fortune

Review
“America’s favorite writer.”—The New Yorker

“Roberts’ superior storytelling skills as well as the book’s evocatively drawn setting are guaranteed to keep readers happily turning the pages.”—Booklist

“A terrific blend of danger, romance and mystery!”—RT Book Reviews

“Classic Nora Roberts, with a few interesting twists thrown in.”—Fresh Fiction

About the Author
Nora Roberts is the #1 New York Times bestselling author of more than 200 novels. She is also the author of the bestselling In Death series written under the pen name J. D. Robb. There are more than 500 million copies of her books in print.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

Dreams plagued her, waking and sleeping. She understood dreams, visions, the knowing. They had been part of her all of her life, and for most of her life she’d learned to block it out, push it all away.

But these wouldn’t relent, no matter how she pitted her will against them. Dreams of blood and battle; of strange, moonstruck lands. In them, the faces and voices of people unknown but somehow vitally familiar lived with her. The woman with the fierce and canny eyes of a wolf, the man with the silver sword. They roamed her dreams with a woman who rose from the sea laughing, the man with the golden compass.

And through all of them, strongly, the dark-haired man who held lightning in his hands.

Who were they? How did she—or would she—know them? Why did she feel such a strong need for them, all of them?

With them walked death and pain—she knew—and yet with them came the chance for true joy, true self. True love.

She believed in true love—for others. She’d never sought it for herself, as love demanded so much, brought such chaos into a life. So much feeling.

She wanted, had always wanted, the quiet and settled, and believed she’d found it in her little house in the mountains of North Carolina.

There she had the solitude she’d sought. There she could spend her days painting, or in her garden without interference or interruption. Her needs were few; her work provided enough income to meet them.

Now her dreams were haunted by five people who called her by name. Why couldn’t she find theirs?

She sketched her dreams—the faces, the seas and hills and ruins. Caves and gardens, storms and sunsets. Over the long winter she filled her workboard with the sketches, and began to pin them to her walls.

She painted the man with lightning in his hands, spending days perfecting every detail, the exact shade and shape of his eyes—deep and dark and hooded—the thin white scar, like a lightning bolt, scoring his left eyebrow.

He stood on a cliff, high above a boiling sea. Wind streamed through his dark hair. She could all but feel it, like hot breath. And he was fearless in the face of the storm as death flew toward him.

Somehow she stood with him, just as fearless.

She couldn’t sleep until she’d finished it, wept when she did. She feared she’d lost her mind, and visions were all she had left. For days she left the painting on the easel while he watched her work or clean or sleep.

Or dream.

She told herself she’d pack it for shipping, send it to her agent for sale. And dipping her brush, she signed it at last.

Sasha Riggs—her name on the verge of the storm-wrecked sea.

But she didn’t pack it for shipping. She packed others instead, the work of the long winter, arranged for transport.

Exhausted, she gave in, curled on the couch in the attic she’d converted to her studio, and let the dreams take her.

The storm raged. Wind whipping, the sea crashing, jagged spears of lighting hurled from the sky like flaming bolts from a bow. The rain swept in from the sea toward the cliff in a thick curtain.

But he stood, watching it. And held out his hand for hers.

“I’m waiting for you.”

“I don’t understand this, any of this.”

“Of course you do, you more than most.” When he brought her hand to his lips she felt love simply saturate her. “Who hides from themselves, Sasha, as you do?”

“I only want peace. I want the quiet. I don’t want storms, and battles. I don’t want you.”

“Lies.” His lips curved as he brought her hand to them again. “You know you’re lying to me, to yourself. How much longer will you refuse to live as you were meant to? To love as you were born to?”

He cupped her face in his hands, and the ground shook under her.

“I’m afraid.”

“Face it.”

“I don’t want to know.”

“See it. We can’t begin without you. We can’t end it until we begin. Find me, Sasha. Come find me.”

He pulled her in, took her lips with his. As he did, the storm broke over them with mad fury.

This time, she embraced it.

She woke, tired still, pushed herself up, pressed her fingers to her shadowed eyes.

“Find me,” she muttered. “Where? I wouldn’t know where to start looking if I wanted to.” Her fingers trailed down to her lips, and she swore she still felt the pressure of his.

“Enough. It’s all enough now.”

She rose quickly, began to pull the sketches from the walls, the board, letting them fall to the floor. She’d take them out, throw them out. Burn them. Get them out of her house, out of her head.

She’d get out herself, take a trip somewhere, anywhere. It had been years since she’d gone anywhere. Somewhere warm, she told herself as she frantically yanked down her dreams. A beach somewhere.

She could hear her own breath heaving, see her own fingers trembling. Near to breaking she lowered to the floor amid the sketches, a woman too thin with the weight the dreams had stolen, her long blond hair bundled up into its habitual messy bun. Shadows plagued her eyes of a clear and crystal blue.

She looked down at her hands. There was talent there. She always had been, always would be, grateful for that gift. But she carried other gifts, not so gratefully.

In the dream, he’d asked her to see. Nearly all her life she’d done all she could to block the sight she’d been born with.

Yes, to hide from herself, just as he’d said.

If she opened to it, accepted it, there would be pain and sorrow. And the knowledge of what might be.

She closed her eyes.

She’d clean up—give herself time. She’d pick up all the sketches and file them away. She wouldn’t burn them, of course she wouldn’t burn them. That had been fear talking.

She’d file them, and take a trip. Get away from home for a week or two, let herself think and decide.

On her hands and knees, she began to gather the sketches, organizing them in her way. The woman with the fierce eyes, the man with the sword, sketches of her dream people together.

Seascapes and landscapes, a palace shining on a hill, a circle of stones.

She laid one of the dozens of the man she’d just dreamed of on a pile, reached for another.

And knew.

She’d drawn the sickle-shaped island from various viewpoints, and this one showed its high cliffs, its undulating hills thick with trees. Showed it floating in the sea, washed with sunlight. Buildings jumbled together to form a city in the foreground, and the stretch of land, speared with mountains spread in the distance.

The pencil sketch took on color and life as she studied it. So much green, a thousand shades of it from dusky to emerald. So much blue, deep and rich or frothing with waves surrounding it. She saw boats sailing, figures diving off seawalls to swim and splash.

And she saw the promontory where she’d stood with him as the storm flew in.

“All right then, I’ll go.” Was she giving in, she wondered, or standing up? But she’d go, she’d look.

It would either end the dreams, or bring them to life as the sketch came to life in her hands.

She went over to her little desk, opened her laptop. And booked a flight to Corfu.

Giving herself only two days to pack, arrange details, close up the house meant she couldn’t change her mind. She slept on the plane, dreamlessly, grateful for the respite. And still the cab ride from the airport to the hotel she’d chosen near Old Town was a blur. Disoriented, she checked in, struggling to remember to smile, to exchange the expected small talk with the front desk, with the cheerful bellman with the cheerful eyes and thick accent as they rode the narrow elevator to her room.

She hadn’t asked for a particular floor or a view. It was enough she’d taken this step, wherever it would lead her. But she wasn’t surprised, not at all surprised, when steps into the room she barely noticed, she faced the windows, the blue sea, and the spread of the sand she knew so well.

She smiled away the bellman’s offer to fetch her ice, or anything she might wish. She only wanted solitude again. The airports, the plane, so many people. They crowded her still.

Alone, she walked to the window, opened it to cool spring air that smelled of the sea and flowers, and studied the scene she’d sketched weeks before, and carried with others in a portfolio in her suitcase.

She felt nothing, not now, but the fogginess of jet lag and travel fatigue. And some wonder that she’d actually traveled so far on impulse.

Turning away, she unpacked to give herself some sense of place and order. Then just lay down on the bed and dropped into sleep again.

Lightning and storms, the beat of the sun, the beat of the sea. Three stars so bright and brilliant her eyes stung. When they shot away from the curve of the moon, fell in streams of light, the world trembled from the strikes of power.

Blood and battle, fear and flight. Climbing high, diving deep.

Her dream lover taking her mouth, taking her body, making her ache with feelings. So much. Too much. Never enough. Her own laughter, barely recognized, sprung from joy. Tears shed, flooding from grief.

And in the darkness, a light burned through. In the darkness she held fire in her hand. As she held it up, for all to see, the earth quaked, rocks tumbled. What was fury flew at her with claws and teeth.

For God’s sake, Sasha, wake up! Get your ass moving.

“What?” She woke with a start, the voice still echoing inside her head, her heart still thumping with fear.

Just another dream, she told herself, just one more to add to her collection.

The light had softened, and lay now like silk over the water. She had no idea how long she’d slept, but the dream voice had something right. It was time to wake up.

She showered off the travel, changed into fresh clothes. Since she wasn’t working, she left her hair down. She ordered herself out of the room. She’d go down, sit on the terrace, have a drink. She’d come, given up her quiet and alone, and come.

Now something or someone needed to come to her.

She found her way out, strolled under a pergola thickly twined with wisteria already starting to bloom. Its scent followed her as she turned away from the pool, the canvas sling chairs lined up around its skirt toward a stone terrace. Clay pots gloriously crowded with flowers of hot reds and purples glowed as the sun wheeled west. The fronds of palm trees hung still.

Tables under shading umbrellas—all in bright white—scattered over the stone. She noted only a few were occupied, and was grateful. Not solitude perhaps, but quiet. She thought to take one a bit apart from the others, started to angle away.

The woman also sat a bit apart. Her short, sun-streaked brown hair had long bangs that swept down to the amber lenses of her sunglasses. She sat back, her bright orange Chucks propped on the other chair of her table for two as she sipped something frothy out of a champagne flute.

The light shimmered for a moment, and Sasha’s heart stuttered with it. She knew she stared, and couldn’t stop. And understood why when the woman tipped down her sunglasses, and stared back over them.

The eyes of a wolf, tawny and fierce.

Sasha fought back the urge to simply turn around, go back to her room where it was safe. Instead she mentally shoved herself forward and walked over while those golden eyes appraised her.

“I’m sorry,” she began.

“For what?”

“I . . . Do you know me?”

The woman raised her eyebrows under the long bangs. “Are you somebody I should know?”

I know your face, Sasha thought. I’ve seen it countless times.

“Could I sit down?”

The woman angled her head, continued her cool, unblinking study. Carelessly she slid her feet off the chair. “Sure, but if you’re thinking about hitting on me, except for a one-nighter in college, I stick with men.”

“No, it’s not that.” Sasha sat, tried to find her bearings. Before she could, a waiter in a white jacket stopped by the table.

“Kalispera. Could I bring you a drink, miss?”

“Yes, actually, yes. Ah, what are you drinking?”

The woman lifted her glass. “Peach Bellini.”

“That sounds just right. Would you like another? I’ll buy you a drink.”

Under her thick sweep of bangs, the woman’s eyebrows lifted. “Sure.”

“Two then, thanks. I’m Sasha,” she said when he left to fill the order. “Sasha Riggs.”

“Riley Gwin.”

“Riley.” A name, she thought, to go with the face. “I know how this is going to sound, but . . . I’ve dreamed about you.”

Riley took another sip, smiled. “It sounds like you’re hitting on me. And you’re really pretty, Sasha, but—”

“No, no, I mean literally. I recognized you because I’ve dreamed about you, for months now.”

“Okay. What was I doing?”

“I can’t expect you to believe me. But the dreams are why I’m here, in Corfu. I don’t— Wait.” The sketches, she thought, and pushed to her feet.

A picture was worth a thousand, after all.

“I want to show you something. Will you wait until I come back?”

Riley only shrugged, lifted her glass. “I’ve got another drink coming, so I’ll be here for a while yet.”

“Five minutes,” Sasha promised, and hurried away.

Sipping her drink, Riley considered. She knew all about dreams, and wouldn’t discount them out of hand. She’d seen and experienced far too much in her life to discount anything out of hand.

And this Sasha Riggs struck her as sincere. Nervy, wound tight, but sincere. Still, she had her own reasons for being in Corfu, and they didn’t include starring in someone else’s dreams.

The waiter came back with a tray, set the drinks, a bowl of fat olives, another of fancy nuts on the table. “The other lady?” he asked.

“She forgot something. She’ll be right back.” Riley handed him her empty glass. “Efkharisto.”

She tried an almond, went back to contemplating the sea, glanced back again when she heard the hurried footsteps—wedged sandals on stone.

Sasha sat again, holding a leather portfolio. “I’m an artist,” she began.

"Congratulations.”

“I’ve had these dreams all winter. They started right after the first of the year. Every night.” Waking dreams, too, but she wasn’t ready to share that much. “I sketched the people, the places in them, the ones that kept reoccurring.”

She opened the portfolio, chose the sketch that had brought her to where she sat. “I drew this weeks ago.”

Riley took the sketch, lips pursing as she studied it. “You’re good, and yeah, this is Corfu.”

“And this is you.”

Sasha laid down a sketch, full body, of Riley. She wore cargo pants, hiking boots, a battered leather jacket, a wide-brimmed hat. Her hand rested on the butt of the knife sheathed at her belt.

As Riley lifted the sketch, Sasha set down another. “So is this.” A head-and-shoulders sketch this time, of Riley looking straight ahead with a curled-lip smile.

“What is this?” Riley muttered.

“I don’t know, and need to find out. I thought I was losing my mind. But you’re real, and you’re here. Like me. I don’t know about the others.”

“What others?”

“There are six of us, including me.” Sasha dug into the portfolio again. “Working together, traveling together.”

“I work alone.”

“So do I.” She felt giddy now, both vindicated and a little crazed. “I don’t know any of them.” She held out another sketch. “I have individual sketches of all of them, and others with some of us together, more with all of us, like this one. I don’t know them.”

The sketch showed Riley, dressed much as she’d been in the other, and Sasha, in boots, pants, a snap-brimmed hat rather than the sandals and flowy dress she wore now. Another woman with hair tumbling to her waist, and three men. Three hot men, Riley thought, all standing together on a trail, forested hills around them, grouped together as if posing for a photograph.

“You— Sasha, right?”

“Yes. Yes, I’m Sasha.”

“Well, Sasha, you sure know how to dream men. They’re all smoking.”

“I’ve never seen any of them before, outside of the dreams. But I feel . . . I know them, know everyone here. And this one.”

Unable to resist, Sasha touched a finger to the figure standing beside her, standing hipshot, his thumb hooked in the front pocket of worn jeans. Sharp cheekbones, dark hair—she knew it to be a deep, rich brown—carelessly curling past the neckline of his T-shirt. His smile spoke of confidence, and of charm—and a little mystery.

"What about this one?” Riley prompted.

“He holds lightning. I don’t know if that’s a symbol or what it means. And I dream we—that we . . .”

“Sex dreams?” Amused, Riley took a closer look at him. “You could do a hell of a lot worse.”

“If I’m going to have sex dreams with a man, I’d like to have dinner first.”

Riley let out a bark of laughter. “Hell, a girl can eat anytime. Are you a dream-walker, Sasha?”

“Dream-walker?”

“Some cultures use that term. Do you have prophetic dreams? Why hold back now?” Riley said when Sasha hesitated. “You’re already telling me you have sex with strange men, and you haven’t even had your drink yet.”

“I don’t have to be asleep to dream.” Yes, Sasha thought, why hold back now? “And yes, they’re usually prophetic. I knew my father would leave before he walked out the door when I was twelve. He couldn’t handle what I am. I don’t control it, can’t demand to see, can’t demand not to.”

Sasha picked up her glass and drank, and waited for the wariness or the derision.

“Have you ever worked with anyone on that?”

“What?”

“Have you ever worked with another dream-walker, explored learning how to block it or open it?”

“No.”

“You look smarter than that.” Riley shrugged. “Is it just visions, or do you read minds?”

She might have asked if she painted in oil or acrylics. Emotion clogged Sasha’s throat so thickly she could barely speak. “You believe me.”

“Why wouldn’t I? The proof’s all over the table. Can you read minds, and can you control that?”

“I don’t read minds. I read feelings, and they speak just as loud. I can control it, unless the feelings are so intense they push through.”

“What am I feeling? Go ahead.” Riley spread her arms when Sasha hesitated. “I’m an open book, so read it.”

Sasha took a moment, focused in. “You feel some sympathy for and curiosity about me. You’re relaxed, but on guard. You tend to stay on guard. You feel a need for something that’s always been out of your reach. It’s frustrating, especially because you like to win. You feel a little sexually deprived just not because you haven’t taken the time . . . felt you had the time to fill that need. The work fulfills you, the risks, the adventure, the demands of it. You’ve earned your self-reliance, and you’re not afraid of much. If there’s fear it’s more for the emotional than the physical.

“You have a secret,” Sasha murmured. “Closed up tight.” Sasha jerked back, frowned. “You asked me to look, all but insisted, so don’t get angry when I do.”

“Fair enough. And that’s enough.”

“I believe in privacy.” She’d never read anyone that openly, that purposefully. It left her flushed, and mildly embarrassed. “I don’t dig into people’s secrets.”

“I believe in privacy.” Riley raised her glass again. “But I freaking love to dig.”

“Your work brings you a lot of pride and satisfaction. What is it?”

“That depends. At the base? I’m an archaeologist. I like looking for things no one else can find.”

“And when you find it? What do you do with it?”

“That depends, too.”

“You find things.” Sasha nodded, nearly relaxed. “That must be one of the reasons.”

“For what?”

“For our being here.”

“I’ve got a reason to be here.”

“But at this time, in this place?” Sasha gestured to the sketches again. “I know we need to look, we need to find . . .”

“If you want my attention you have to spit things out.”

Rather than speak, Sasha pulled out another sketch. A beach, a calm sea, a palace on a hill, all under a full white moon.

And curved under the moon shone three stars.

“I don’t know where this is, but I do know these three stars, the ones near the moon, they don’t exist. I’m not an astronomer, but I know they’re not there. I only know they were, somehow they were. And I know they fell. See this one.” She laid out another sketch. “All three falling at the same time, leaving those cometlike trails. We’re supposed to find them.”

Sasha looked up, saw Riley’s eyes stare into hers, feral and cold.

“What do you know about the stars?” Riley demanded.

“I’m telling you what I know.”

In a fast move, Riley reached out, gripped Sasha’s arm at the wrist. “What do you know about the Stars of Fortune? Who the hell are you?”

Though her stomach trembled, Sasha made herself keep her eyes level with the fierce ones, ordered her voice not to shake.

“I’ve told you who I am. I’m telling you what I know. You know more about them. You know what they are. You’re already looking for them—that’s why you’re here. And you’re hurting my arm.”

“If I find out you’re bullshitting me, I’ll hurt more than your arm.” But she let it go.

“Don’t threaten me.” Temper, hot and surprised, leaped up and out. “I’ve had enough. I didn’t ask for this, I don’t want this. All I wanted was to live in peace, to paint, to be left alone to work. Then you and these others are crowding my dreams, you and these damn stars I don’t understand. One of them’s here, I know it, just as I know finding it won’t be peaceful. I don’t know how to fight, and I’ll have to. Blood and battle, dreams full of blood and battle and pain.”

“Now it’s getting interesting.”

“It’s terrifying, and I want to walk away from all of it. I don’t think I can. I held one in my hand.”

Riley leaned forward. “You held one of the stars?”

“In a dream.” Sasha turned her palm up, stared at it. “I held it, held the fire. And it was so beautiful it blinded. Then it came.”

“What came?”

“The dark, the hungry, the brutal.”

Suddenly she felt queasy, light-headed. Though she struggled, what moved through her won.

“She who is darkness covets. To have what she desires consumes her. What the three moons created out of love, loyalty, and hope, she would corrupt. She has burned her gifts and all bright edges of her power away, and what remains is a madness. She will kill to possess them, fire, ice, water. Possessing them, she will destroy worlds, destroy all so she lives.”

Sasha lifted both hands to her head. “Headache.”

“Does that happen often?”

“I do everything I can to stop it.”

“And that’s probably why you have a headache. You can’t fight your own nature, trust me. You have to learn to control it, and to adapt.” Riley caught the waiter’s eyes, circled a finger in the air. “I’m getting us another round.”

“I don’t think I should—”

“Eat some nuts.” Brisk now, Riley shoved the bowl closer. “No way you’re faking this—nobody’s that good. And I’ve got a sense about people—not empathic, but a reliable sense. So we’ll have another drink, talk this through some more, then figure out where we go from there.”

“You’re going to help me.”

“The way I look at it, we’re going to help each other. My research indicates the Fire Star is in or around Corfu—and your dreams corroborate that. You could come in handy. Now—”

She broke off, flicked a hand at her bangs as she looked over Sasha’s head. “Well, well, it just keeps getting more and more interesting.”

“What is it?”

“Dream date.” Riley aimed a deliberately flirty smile, crooked a finger in the air.

Swiveling in her chair, Sasha saw him. The man who held the lightning. The one who’d taken her body.

His eyes, so dark, flicked away from Riley, met hers. Held them. And holding them, crossed to their table.

“Ladies. Spectacular view, isn’t it?”

His voice, Irish and easy, brought a shiver to Sasha’s skin. She felt trapped, as if a shining silver cage had dropped around her.

And when he smiled, she yearned.

“Where you from, Irish?” Riley asked.

“Sligo, a little village you wouldn’t have heard of.”

“You’d be surprised.”

“Cloonacool.”

“I know it. Sits at the foot of the Ox Mountains.”

“So it does, yes. Well then.” He waved his hand, and offered Riley the little clutch of shamrocks that appeared in it. “A token from home, faraway.”

“Nice.”

“Americans?” He looked back at Sasha. “Both of you?”

“Looks that way.” Riley watched his gaze shift, land on the sketches. She said nothing when he reached down, lifted the one of six people.

Not shocked, she thought. Intrigued.

“Isn’t this a fascination. You’d be the artist?” he said to Sasha. “You’ve a clever hand, and eye. I’ve been told I have the same.” He smiled. “Mind if I join you?”

Without waiting for assent, he got a chair from a neighboring table, pulled it up. Sat.

“I’d say we’ve a lot to talk about. I’d be Bran. Bran Killian. Why don’t I buy you ladies a drink, and we’ll talk about the moon and the stars?”

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I really wanted to love this. I started off adoring Sasha, but that changed quickly. I feel like I am having a hard time with all of her books lately.... The characters are similar, the formula the same. Most of the characters are poorly developed. And even the parts that are very "Nora", which I love, are becoming overdone, like the meals and group planning over a pot of stew. I just read a blog by her showing anger over criticism (specifically on her Facebook page...which I get...that's rude). But she states the reader is not her employer....my wallet and I would beg to differ. Arrogance is a dangerous thing. When people complain here it is because we love Nora and want her work to be as wonderful as we know it can be.

283 of 299 people found the following review helpful.
I thought this was going to be the return of old Nora, but I guess not... ***SPOILERS***
By Reader
*****SPOILERS***PLEASE DON'T READ AHEAD IF YOU DON'T WANT SPOILERS, I'M NOT HOLDING BACK*****

I couldn't decide if I wanted to give this book 3 or 4 stars. I want to say 4 because I am a longtime fan of Nora Roberts and I was really excited for this book. I think I'm going to end up giving it a 3 though because it just didn't live up. NR's last few books have been incredibly disappointing but, when I read the excerpt of this one, I really thought she'd gotten some of her magic back. She didn't write in those weird, short, choppy sentences she seems to love these days, the characters were a delight, the premise was interesting, and, once again, a great setting. I don't mind, at all, her habit of writing 3 men, 3 women, 3 books. It's just something she prefers and I kind of like it. The predictability of the ending and the events don't bother me one bit. I know that the good guys are always going to win and three couples are going to fall in love. I did speak too soon, however, about the magic coming back because most of the things I was looking forward to were the things that killed it.

Setting: The setting was absolutely gorgeous, but, in the past, Nora has described a setting so beautifully with about a 1/4 of the words she used here. I get it, Villa is beautiful and Greece is beautiful and food is delicious. Say it and move on. I really didn't want sooo much of it. She spent more time developing the setting than she did the characters and I had to skim most of it. Now, in the next 2 books, there are going to be 2 new settings and we're going to have to endure brand new descriptions of them all over again. You're writing a book, Nora, not a travel brochure.

Language: NR characters usually have beautiful and poetic language, especially her Irish characters. Throughout this whole novel, however, the thought that "nobody ever even talks like this", kept circling my mind. It was just too much. Every sentence was something along the lines of "to heart, to mind, to love, we will conquer all", "meals and family and love." I'm not expecting 100% realism when I pick up an NR book, but I'd like it to be A LITTLE realistic. I don't need, "Hey, dude, look at the villa. Awesome!" But, I don't want them to speak like poets ALL the time.

Characters: I pick up an NR book for the relationships. Let's be real, the setting and the whatever-storyline are great, but the relationships are my favorite part of these books. I looked and looked and just couldn't find it. Nobody connected at all for me or for each other. In her Circle trilogy, I was instantly and madly in love with the characters and, at their losses, I was heartbroken and, at their triumphs, I was joyful. I can honestly say that I don't care what happens to any of these characters. They also didn’t click very well with each other. There were no little things to make me think that these people truly care about each other. When Doyle takes that death blow for Riley in the end, I couldn’t imagine it was because he cared about her at all, only that he knows he can’t die and she can.

Riley: She was just one of Nora's previous characters supercharged. It felt like she was trying to mash many of her characters into one, the archaeologist, the fighter, the supernatural, the know-it-all. She was all these and more, it felt like she was trying way too hard. No one person could possibly have all those personalities smashed into one.

Sawyer: Such an interesting character and the one thing we know about him above all else is that he's got the hots for Annika. So many more things I would have liked to learn about him.

Annika: Different. Different personality and different supernatural creature than usual. Very sweet and innocent and I wish she just wasn't so innocent though. The sweetness was lovely but she was too trusting for my liking. Like even in her world, way under the sea, there must be some untrustworthy mer-people. Going to a new world and making friends with others of a completely different species, she has to have some sort of caution otherwise she's just an idiot. I like that it was something new but dial it back. That random comment about her only having 3 months until she loses her legs after she tells someone what she is? I don't know if I understood that right but it just seems to be a problem for the sake of having a problem and really doesn't make any sense at all.

Doyle: No time at all was spent on him. By the time we found out his secret and his story, I didn't have any sort of emotional connection to him and couldn't find it in me to care.

Sasha: I tried so hard to like her but I just couldn't. Such a bore and no personality whatsoever. Hypocritical and did nothing throughout the entire book that was her own will. She was led by her "power" to all the answers and didn't really put forth any effort to actually get to the answers herself. She kept saying how much she wants to get stronger and stop being the weak link in the circle and, every time something happens, she proves that she still is the weak link. I also really wish she had done something more in the “final fight” than hug Bran to give him her love while he defeated Nerezza pretty much on his own. She was also a hypocrite in the biggest way. She’s spent her entire life in isolation, she was even described as a “recluse” in the book flaps, but, when someone wants to do something by themselves, she gets all pissy about them not being a “family.” There was a line about something that Doyle was doing, setting that target up “alone, Sasha thought, resentfully". You’ve known these people for a week and Doyle for all of 2 days… relax. She also stepped over her own words a lot. I remember her speaking to Riley about everybody having secrets and them revealing them in their own time, yet every time she found out someone’s secret, she got angry at them. Bran didn’t reveal his secret within the first minute of knowing her. Big deal.

Bran: A typical Irish, magick, Nora character. Nothing new about him in abilities or personality. At all.

Romance: Boring. It all happened very quickly and there was none of the usual feeling I get when I read an NR romance. The s*x scenes were too long and words were basically copied and pasted from some other NR books. Nothing new there. When I read some of Nora’s books from 20 years ago and I come across a female character who is a virgin, it’s not weird but, in this day and age, when she revealed she was a virgin at 28, all I could do was roll my eyes and think “why does nobody else think this is weird?” Maybe I’m being judgmental but it just added an extra layer of my un-believability of Sasha. Bran basically carried Sasha. She hid behind him at every opportunity and the entire romance just wasn’t a very fun read at all.

Villain: Nerezza is nowhere near the villain that I’ve read in some of Nora’s other books. The Circle trilogy has one of my favorite villains of all time in Lilith and comparing this one to that, I can definitely see that they were supposed to be similar but Lilith was just better in every way. Nora has gotten into this habit of telling and not showing so, every time Nerezza was described as “evil”, it was like NR was begging us to believe it. Nerezza had madness and evil in her eyes. Lilith murdered an entire family so she could turn a little boy into a vampire to have as a son and lover. Nerezza says that love is for mortals. Lilith takes one of the group’s good friends and turns him into a vampire to use as bait. There’s just no comparison.

Writing: Everything was so repetitive. The line "Sasha contemplated what to make for dinner" was probably in there at least once every other chapter. Food was mentioned in every single chapter. Sandwiches, eggs, pasta. "I'll get a bottle of wine" or "opened a bottle of wine" was also in there every minute or so. Sasha painted, Sasha packed her sketch book and pencils, Sasha grabbed her tote with her sketch book and pencils, Sasha grabbed her bag with her sketch book and pencils, Sasha itched to sketch this scene, Sasha wanted to remember this scene so she could paint it later, Sasha sat down to sketch.

I can beg and hope and pray that the next two are going to be written by 20 years ago Nora, but they probably won’t be. I love her and she will always be my favorite author (20 years ago Nora, that is), but I’m starting to get real sick and tired of shelling out so much money for recycled storylines and characters. Why should I put the effort in if she’s not going to?

112 of 120 people found the following review helpful.
Well, Annika was a nice touch...
By S. Yeager
I really want to like this book but I just don't. Dare I say it's deathly boring in parts and strangely repetitive in others -- for example, we get it, Sasha was weak but now she's not. The plot and characters feel like a hodgepodge of all the other plots/ characters in previous novels. I was unamused by the character development of Riley. Really?! All I'll say is that a basic tenet of these books is that the cards are on the table from the beginning. It's difficult to suspend belief when information just comes out of nowhere in the middle of the book. I did like Annika but am just not sure I'm going to be able to get there when all is revealed. Sigh, I still haven't finished the book but I will just as I'll buy book two of the trilogy because I am at heart a Nora fan looking for some of the magic from the Irish trilogy.

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Rabu, 12 Maret 2014

[P984.Ebook] Fee Download Clinical Bacteriology, Mycology and Parisitology: An Illustrated Colour Text, 1e, by W. John Spicer MBBS(Melbourne) FRACP FRCPA FACSHP

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Clinical Bacteriology, Mycology and Parisitology: An Illustrated Colour Text, 1e, by W. John Spicer MBBS(Melbourne)  FRACP  FRCPA  FACSHP

Clinical Bacteriology, Mycology and Parisitology: An Illustrated Colour Text, 1e, by W. John Spicer MBBS(Melbourne) FRACP FRCPA FACSHP



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Clinical Bacteriology, Mycology and Parisitology: An Illustrated Colour Text, 1e, by W. John Spicer MBBS(Melbourne)  FRACP  FRCPA  FACSHP

A volume in the Illustrated Colour Text series, this book presents both the basic principles of microbial infection and a short systematic treatment of the organisms and the diseases caused by infection. Concludes with a section on the general principles of the control and treatment of infection. Bacteria, fungi, and protozoa are covered. Information is presented in a highly accessible form, using a double-page spread for each topic with graphics, summary boxes and tables.

  • Sales Rank: #1599659 in Books
  • Published on: 2000-07-31
  • Original language: English
  • Number of items: 1
  • Dimensions: .54" h x 8.28" w x 11.60" l,
  • Binding: Paperback
  • 232 pages

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Clinical Bacteriology, Mycology and Parisitology: An Illustrated Colour Text, 1e, by W. John Spicer MBBS(Melbourne) FRACP FRCPA FACSHP PDF
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Sabtu, 08 Maret 2014

[F279.Ebook] PDF Download Material World: A Global Family Portrait, by Peter Menzel, Charles C. Mann, Paul Kennedy

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Material World: A Global Family Portrait, by Peter Menzel, Charles C. Mann, Paul Kennedy

Material World: A Global Family Portrait, by Peter Menzel, Charles C. Mann, Paul Kennedy



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Material World: A Global Family Portrait, by Peter Menzel, Charles C. Mann, Paul Kennedy

In an unprecedented effort, sixteen of the world’s foremost photographers traveled to thirty nations around the globe to live for a week with families that were statistically average for that nation. At the end of each visit, photographer and family collaborated on a remarkable portrait of the family members outside their home, surrounded by all of their possessions—a few jars and jugs for some, an explosion of electronic gadgetry for others. Vividly portraying the look and feel of the human condition everywhere on Earth, this internationally acclaimed bestseller puts a human face on the issues of population, environment, social justice, and consumption as it illuminates the crucial question facing our species today: Can all six billion of us have all the things we want?

  • Sales Rank: #23976 in Books
  • Brand: Counterpoint
  • Published on: 1995-10-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .63" w x 9.13" l, 2.42 pounds
  • Binding: Paperback
  • 256 pages
Features
  • Great product!

Amazon.com Review
In honor of the United Nations-sponsored International Year of the Family in 1994, award-winning photojournalist Peter Menzel brought together 16 of the world's leading photographers to create a visual portrait of life in 30 nations. Material World tackles its wide subject by zooming in, allowing one household to represent an entire nation. Photographers spent one week living with a "statistically average" family in each country, learning about their work, their attitudes toward their possessions, and their hopes for the future. Then a "big picture" shot of the family was taken outside the dwelling, surrounded by all their (many or few) material goods.

The book provides sidebars offering statistics and a brief history for each country, as well as personal notes from the photographers about their experiences. But it is the "big pictures" that tell most of the story. In one, a British family pauses before a meal of tea and crumpets under a cloudy sky. In another, wary Bosnians sit beside mattresses used as sniper barricades. A Malian family composed of a husband, his two wives, and their children rests before a few cooking and washing implements in golden afternoon light. Material World is a lesson in economics and geography, reminding us of the world's inequities, but also of humanity's common threads. An engrossing, enlightening book. --Maria Dolan

From School Library Journal
YA?A fascinating look at the material possessions of families throughout the world. These people have been determined "average" for their countries and have agreed to have photographers move the contents of their houses outside in order to create visible representations of their relative standards of living. The dirt house and few possessions of Mali residents contrast with the 4 cars, 45-foot long sofa, and 12+ oriental carpets lined up outside the luxury home of a family from Kuwait. Each chapter includes the original spread of possessions, statistics about each family and country, as well as further pictures of daily life and some observations by the photographer. Interspersed among the chapters, which are divided by region, are pictorial representations of such interesting comparisons as televisions, meals, and toilets. Almost all of the pictures are in full color. Menzel hoped this would be "a unique tool for grasping cross-cultural realities." It is that and much more.?Susan H. Woodcock, King's Park Library, Burke, VA
Copyright 1995 Reed Business Information, Inc.

From Library Journal
Although Material World might appear to fall into the genre epitomized by Edward Steichen's The Family of Man (1955), the book truly defies facile classification; it seems at once art, photojournalism, human geography, and visual anthropology. It is a remarkable and captivating coupling of photographic art with economic and demographic statistics. Very largely the work of 16 photographers, including Menzel, the book is most outstanding in its color photographic portraits of 30 families with their material possessions arrayed nearby. Each family represents one of 30 different countries-some poor, some rich-and each approximates what World Bank and UN statisticians deemed to be "average" for its country. Tables associated with the photographs provide statistical portraits of the families and their nations; photographers' notes on their specific projects enlighten the viewer. Though the format allows superficial browsing, the combination of detailed photographic presentations of material goods with the commentaries and statistics invites careful reading and cross-cultural comparison. Readers should find the comparison worth making. Strongly recommended for all libraries. [A CD-ROM of the same title is available; for more information, see p. 21.-Ed.]-James D. Haug, East Carolina Univ. Lib., Greenville, N.C.
--James D. Haug, East Carolina Univ. Lib., Greenville, N.C.
Copyright 1994 Reed Business Information, Inc.

Most helpful customer reviews

99 of 99 people found the following review helpful.
Your Kids Will Get A Whole New Perspective on "Stuff"
By A Customer
I discovered this one-of-a-kind book while paging through my favorite book catalog. I couldn't wait to get my hands on it, and bought it immediately for full price at my nearest bookstore (I NEVER pay full price - I was that excited!) On a cue from my catalog's annotation, I left it casually available in our family room. Within 10 minutes, my 9-year-old "material girl" zoomed in on the large, glossy cover, and asked about the book. I played cool: "Just a new book I really like... it's about all kinds of families and what kinds of stuff they have." Warily sensing the "educational" angle, she left it untouched as I left the room. Ten minutes later, she impatiently called to her 6-year old sister: "Look at this picture! This is a real family and this is all their stuff, even their beds! Where's their car? Look at these 2 little Mexican girls buying Barbies!" Unable to resist the text by now, she amended: "Oh, they're just looking. They don't have money to buy them." A thoughtful pause followed. Were the darling kids in the picture the anonymous "poor people" they heard about so often at school? They don't look unhappy in the photos...they look just like a regular family. YES! CONNECTION! It took the 2-page "Toilets of the World" spread to hook their 8-year-old brother, but this book remains an unending source of fascination for all of us. I am making a list of families to buy it for. Please take my word on this: I love language, but Material World's pictures tell a story of common humanity that could never be conveyed the same way in words. Don't miss this book.

100 of 104 people found the following review helpful.
Fantastic
By Amazon Customer
This book is a fantastic picture book and statistical reference of our world. Menzel's idea was brilliant- -to identify a statistically average family in every corner of the world, and photograph them and all of their belongings, as well as capture aspects of their daily life on film.
The book is organized by continent, and then by country within each continent. Each entry begins with a multi-page photo of the family in front of their house, with of all their possessions. Beside the photo is an enumeration of the possessions that appear in the photo. The remainder of the article is found on the next 3 or 4 pages. There is usually a short summary of statistics about the country, covering such topics as area, population, population density, life expectancy, and rank of affluence among U.N. member countries. But much more informative are a variety of high-quality color photos showing family members going about their daily activities, at work, at school, or eating a meal in the family home. There is a brief text about the family itself, who they are, what they do, and where they live. The photographer also provides a brief summary of his or her experiences while living with the family and taking the photographs. In the photographer's notes are statistics about the work week, the number of radios, telephones, televisions, VCRs, and automobiles. The photographer also asks each family member to identify their most valued possessions and their dreams for the future.
The choice of the family to convey both the ideal and the reality of a typical "American" family was perfect. They have the requisite two children, one of each gender, and a dog. They are shown outside their ranch-style house, with a fairly new pickup truck and minivan in their attached garage. The photographer's idea of commandeering the entire cul-de-sac of the sub-development to showcase the family's possessions for the main photograph does an incredible job at capturing Americans' need for and use of space. (It makes an incredible contrast with the Japanese family, who have just as many possessions or even more, but are photographed with everything crammed together in a tiny block just the width of their house.) The picture of the American family appears on the cover of the book, juxtaposed with the family from Bhutan, with their house and meager possessions perched on a mountainside with no roads in sight. Despite the innumerable differences between the families, there are also many parallels. Both families are obviously proud of what they have and who they are. And in these pictures, and throughout the book, over and over again throughout the world, the family members identify religious objects as their most valued possessions.
In addition to the main chapters, the book also includes short features on televisions of the world, meals of the world, and toilets of the world, as well as appendices with more statistics, contributing photographers' biographies, and a list of more possessions that couldn't be included in the photographs.
Through its photographs, this book does an amazing job at explaining who we are as a human family, and how we are all similar. It also lets us know what life is like for average people around the world, and does a better job at this than any simple listing of statistics or geography text. When I read this book for the first time, I laughed, and even cried upon seeing how little some people in the world actually have to call their own. This was especially moving when I remembered that each family was chosen not because it was picturesque or poverty-stricken, but because it was statistically average. This book should be in every public library, it could be used by homeschoolers as a geography text, but everyone will find something of interest in it. It is one of the 10 most personally influential books that I have read.
If reading this book isn't enough for you, the project also produced a multimedia CD-ROM with added features and a series of children's books with more photographs and information for children about each family. An even more moving sequel called "Women of the Material World" is also available and highly recommended.

48 of 49 people found the following review helpful.
Not just about material differences
By JanaMay
This book was a required "textbook" in a high school "Science and Sustainability" pilot class my school did in junior year. I remember we generally used the books in class but could check them out to take home if we wanted. I checked one out and din't want to give it back. I think I skipped two classes that day just sitting in the student lounge poring over it, and I think the people reading over my shoulder probably had other things to do as well, but I couldn't put it down, it was so fascinating. So of course I bought my own and I can still pick it up and pore over it for another three hours with the same fascination. It's real life, and the families are real people that you feel somehow close to after reading this. I love this book and show it to everyone. This book will change the way you look at things. Also, for those who think that this book is primarily about material goods around the world, you couldn't be more wrong. Each chapter shows an incredibly detailed portrait of life in another country, and is as wonderful for introducing kids to other cultures as it is for opening their eyes to economic realities. Enjoy.

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Material World: A Global Family Portrait, by Peter Menzel, Charles C. Mann, Paul Kennedy PDF
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Selasa, 04 Maret 2014

[B520.Ebook] Free PDF Chicken Soup for the Soul at Work: Stories of Courage, Compassion and Creativity in the Workplace, by Jack Canfield, Mark Victor Hansen, M

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Work is an important part of living, whether you wait on customers, build a business or cook for your family. As such, we all have important stories to tell about our work.

  • Sales Rank: #286118 in Books
  • Brand: Unknown
  • Published on: 2012-10-02
  • Released on: 2012-10-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .90" w x 5.50" l, .75 pounds
  • Binding: Paperback
  • 400 pages
Features
  • Chicken Soup for the Soul at Work: Stories of Courage, Compassion and Creativity in the Workplace

About the Author
Jack Canfield�is co-creator of the�Chicken Soup�for the Soul� series, which includes�forty�New York Times�bestsellers, and coauthor of The Success Principles: How to Get from Where You Are to Where You Want to Be. He is a leader in�the field of personal transformation and�peak performance and is currently CEO of the Canfield�Training Group and Founder and Chairman of�the Board of The Foundation for Self-Esteem. An internationally renowned�corporate trainer and keynote speaker,�he lives in Santa Barbara, California.

�Mark Victor Hansen is a co-founder of Chicken Soup for the Soul.

Excerpt. � Reprinted by permission. All rights reserved.
1
Love At Work


Work is love made visible.

Kahlil Gibran

Jessie's Glove

A kind and compassionate act is often its own reward.

William J. Bennett


I do a lot of management training each year for the Circle K Corporation, a national chain of convenience stores. Among the topics we address in our seminars is the retention of quality employees—a real challenge to managers when you consider the pay scale in the service industry. During these discussions, I ask the participants, 'What has caused you to stay long enough to become a manager?' Some time back a new manager took the question and slowly, with her voice almost breaking, said, 'It was a $19 baseball glove.'

Cynthia told the group that she originally took a Circle K clerk job as an interim position while she looked for something better. On her second or third day behind the counter, she received a phone call from her nine-year-old son, Jessie. He needed a baseball glove for Little League. She explained that as a single mother, money was very tight, and her first check would have to go for paying bills. Perhaps she could buy his baseball glove with her second or third check.
When Cynthia arrived for work the next morning, Patricia, the store manager, asked her to come to the small room in back of the store that served as an office. Cynthia wondered if she had done something wrong or left some part of her job incomplete from the day before. She was concerned and confused.

Patricia handed her a box. 'I overheard you talking to your son yesterday,' she said, 'and I know that it is hard to explain things to kids. This is a baseball glove for Jessie because he may not understand how important he is, even though you have to pay bills before you can buy gloves. You know we can't pay good people like you as much as we would like to; but we do care, and I want you to know you are important to us.'

The thoughtfulness, empathy and love of this convenience store manager demonstrates vividly that people remember more how much an employer cares than how much the employer pays. An important lesson for the price of a Little League baseball glove.

Rick Phillips


Climbing the Stairway to Heaven

No one can deal with the hearts of men unless he has the sympathy which is given by love.

Henry Ward Beecher


Throughout my career in sales, I've wondered about difficult customers. What makes them so mean? How can they be so unkind? How can a perfectly rational person suddenly lose all sense of human decency?

One day, I had an insight into their thinking. It happened while visiting my husband's music store. He was working with a customer and we were short-handed. So I did what every good wife would do: I tried to wait on customers.

'I'm looking for music,' said a gnarled man, a soiled John Deere cap pulled down tightly over his thinning gray hair. 'The name of the song is . . .' and he uncrumpled a grimy sheet of mimeographed paper from his jeans pocket, ''Stairway to Heaven.' Do you have it?'

I stepped to the wall displays of sheet music and scanned for the name. On a good day, the music filled slots in alphabetical order. On this day, the alphabet skipped around. I searched for several minutes, conscious of his growing restlessness.

'No, I'm sorry but it doesn't look like it's here.'
His back arched and his watery blue eyes narrowed. Almost imperceptibly, his wife touched his sleeve as if to draw him back. His narrow mouth twisted in anger.
'Well, ain't that just grand. You call yourself a music store? What kind of a store doesn't have music like that? All the kids know that song!' he spluttered.
'Yes, but we don't carry every piece of music ever . . .'

'Oh, easy for you! Easy to give excuses!' Now his wife was pawing at his sleeve, murmuring, trying to calm him the way a groom talks to a horse gone wild.
He leaned in to me, pointing a knotty finger at my face. 'I guess you wouldn't understand, would you? You don't care about my boy dying! About him smashing up his Camaro into that old tree. About them playing his favorite song at his funeral, and he's dead! He's gone! Only 18 and he's gone!'

The paper he waved at me came into focus. It was the program for a memorial service.
'I guess you wouldn't understand,' he mumbled. He bent his head. His wife put her arm around him and stood quietly by his side.
'I can't understand your loss,' I said quietly, 'but we buried my four-year-old nephew last month, and I know how bad that hurts.'
He looked up at me. The anger slid from his face, and he sighed. 'It's a shame, ain't it? A dirty shame.' We stood in silence for a long moment. Then he fished around in his back pocket and pulled out a worn billfold. 'Would you like to see a picture of our boy?'

Joanna Slan

�2008. Rick Phillips and Joanna Slan. All rights reserved. Reprinted from Chicken Soup for the Soul at Work by Jack Canfield, Mark Victor Hansen. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, without the written permission of the publisher. Publisher: Health Communications, Inc., 3201 SW 15th Street , Deerfield Beach , FL 33442.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Start your day right with some encouraging words and thought
By lformolo@nk.norway.k12.mi.us
I think that all of us at some time or another felt like staying in bed or staying away from our work place. We still showed up under obligation. I think if you read some of the stories and thoughts in this book it will make your day go just a bit easier. Why not start the day with some encouragement and a smile? Afterall, we all do better work when we actually care about what we are doing. I think that this book reminds us not to lose site of why we are doing what we are doing.

4 of 4 people found the following review helpful.
I LOVE THIS BOOK!
By A Customer
I love this book very much. I guess you could call it my favorite one. I am 14 years old and deal with a lot of hard things and your books really help me. I have heard stories from it at camps, at school, and at church. Sometimes when something is bothering me I look in there to see if anyone else has this problem and i can see how they handled it. Your book has really helped me through my teens eventhough I am just becoming one. I would recomend that yall get more publicity for your books so that other people can find them and get help like I did. Thank you so much for writting it, It is great. sincerely Blakeley (Mobile, Alabama)

2 of 2 people found the following review helpful.
A moving and uplifting book that gets you hooked!
By A Customer
This is an excellent book for the workplace. It is nice and refreshing to read if you are feeling down about work. I've begun to retell the stories at my workplace and everyone loves the stories. This is great reading for a coffee break.

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Kamis, 27 Februari 2014

[T302.Ebook] Free PDF Mastering the Nikon D610 by Darrell Young (24-Jan-2014) Paperback, by Darrell Young

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Mastering the Nikon D610 by Darrell Young (24-Jan-2014) Paperback, by Darrell Young

  • Published on: 1600
  • Binding: Paperback

Most helpful customer reviews

2 of 2 people found the following review helpful.
The only book that you will need !
By M J 323
This is my second book and Darrell Young's books will be my only books. I made the mistake with my prior camera buying a book, not fully understanding my camera, buying another book, not understanding till I finally found Mr Young's book and the lightbulb finally went on. With my new camera, his book was the first and last purchased and I know all that I need to know. His book is put in a language that I can understand. He also adds what he recommends as a setting and why at the end of his explanations, which gives a great "starting point" till you shoot and want to make adjustments on your own. Highly recommend his books.

0 of 0 people found the following review helpful.
Five Stars
By Cesar Porras
Every D610 owner should have this book! Everything you could need to know is inside this book!!!

0 of 0 people found the following review helpful.
Perfect
By Michael
Best manual out there to learn the ins and outs of the 610.

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Sabtu, 22 Februari 2014

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Mammoth Book of Dinosaurs (Colossal Book of Dinosaurs / Mammoth Book of Dinosaurs)

  • Sales Rank: #765308 in Books
  • Brand: Modern Publishing
  • Published on: 2000-03-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x 7.50" w x 1.00" l,
  • Binding: Hardcover
  • 237 pages
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Most helpful customer reviews

0 of 0 people found the following review helpful.
Every child's book
By Joruxx
Dinosaur books are great, and this is one of the best. I had this book when I was younger and it is good for boys and girls alike. It would be a little hard to learn to read with because of the long dinosaur names, but it's great to read to kids and the pictures are very well done. There are a lot of pictures.

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Excellent
By louanne
great book for all ages kids-adults has beautiful pictures for the very young kids,plenty of facts,info, for young readers and teens can be applied for school projects etc. Adults would like this book also. I brought a used hard copy of this book, it was in great condition, almost like new, well worth the $3 dollars and change with free shipping.

0 of 0 people found the following review helpful.
my son's new book!
By almira campagna
My 10-year-old son wanted all 4 of the books in this series and checked the mail every day, so I was glad that it was shipped and arrived earlier than expected! It's in good condition and he read it right away cover to cover.

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[I124.Ebook] Ebook The Influence of IAS/IFRS on the CCTB, Tax Accounting, Disclosure and Corporate Law Accounting Concepts (Eucotax Series on European Taxatio

Ebook The Influence of IAS/IFRS on the CCTB, Tax Accounting, Disclosure and Corporate Law Accounting Concepts (Eucotax Series on European Taxatio

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The Influence of IAS/IFRS on the CCTB, Tax Accounting, Disclosure and Corporate Law Accounting Concepts (Eucotax Series on European Taxatio

The Influence of IAS/IFRS on the CCTB, Tax Accounting, Disclosure and Corporate Law Accounting Concepts (Eucotax Series on European Taxatio



The Influence of IAS/IFRS on the CCTB, Tax Accounting, Disclosure and Corporate Law Accounting Concepts (Eucotax Series on European Taxatio

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The Influence of IAS/IFRS on the CCTB, Tax Accounting, Disclosure and Corporate Law Accounting Concepts (Eucotax Series on European Taxatio


Depending on the goals to be achieved, there are many ways to calculate a company's profits. This is to a great extent due to the different aims of financial and tax accounting.

Financial accounting is undergoing a growing influence of IAS/IFRS. IFRS is also exerting a growing influence on tax accounting. This is especially visible in the European development of a Common Consolidated Corporate Tax Base (CCCTB) for multinational corporate entities. Although no formal link exists between IAS/IFRS and CCCTB, IFRS will likely be a strong material influence on various key elements of the CCCTB. Many tax professionals (and Member States) fear the influence of IAS/IFRS on tax accounting mainly given the divergent aims of IAS/IFRS and tax accounting.

The introduction of IAS/IFRS will have significant consequences for tax accounting, disclosure and corporate law accounting concepts in individual Member States. Since IAS/IFRS is strongly influenced by the Anglo-American view on accounting, a question arises regarding its potential influence on the various continental disclosure, tax and financial accounting systems. In other words, one can readily envision a confrontation of systems with totally different backgrounds. This insightful work focuses on the consequences of this ‘clash of cultures’ for tax accounting, disclosure and corporate law accounting concepts.

  • Sales Rank: #5400741 in Books
  • Published on: 2009-01-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .56" w x 6.14" l, 1.30 pounds
  • Binding: Hardcover
  • 236 pages

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